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How to Tie Dye How to Batik Low Water
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You are here: Home > All About Hand Dyeing > Instructions > How to Dye with Fiber Reactive Dye > How to Batik





How to Batik

You can batik silk, cotton, and rayon with the same easy fiber reactive dye and soda ash recipe that is so popular in other forms of hand dyeing. The advantage of this type of dye is that with it, unlike all purpose dye, you can use cool water (that won't melt wax!), while unlike naphthol dye, fiber reactive dye is reasonably non-toxic, and unlike vat dye, the method is very simple and easy.

For pictures of successful batik - essential in helping you decide what you want to create - see my Gallery and some of the sites on my Links to Other Galleries page.

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Procion MX Fiber Reactive Dye


Melt Wax Easily


Tjantings for Drawing with Wax


Beeswax


Soda Ash


Disposable Gloves


Urea (optional) for dyeing

Getting Started

This is just as in the How to Tie Dye page: study the How to Dye basic recipe first. Make sure you have all the chemicals and supplies you need for dyeing: Procion MX dyes, urea, sodium carbonate, thin rubber or plastic gloves, measuring cups and spoons, squirt bottles to put the dye solution into for application, dust mask for measuring out dyes, and a bucket for pre-soaking the fabric in sodium carbonate solution. Be sure to pre-wash all clothing to remove invisible finishes that can prevent the dye from getting to the fabric. (In place of the Procion MX dye, you can substitute any type of fiber reactive dye that can use temperatures below the softening point of wax, such as Cibacron F/Sabracron F or Drimarene K dye; Dylon Cold Water Dye is an example of the latter, but avoid Dylon Multi Purpose dye, which is a hot water dye.)

Additional Supplies for Batik

You'll need to buy both beeswax and paraffin to mix together; some cheap paintbrushes for covering large sections (don't waste good ones on this); a tjanting, or several, with which to apply the wax; and some way to keep the wax at a constant temperature. I failed at batik until I acquired an electric skillet for the sole purpose of melting the wax. I'd been using wax that was melted, in a double boiler, but not hot enough to penetrate the fabric. Batik instantly changed from impossibly difficult to easily manageable the day I bought an electric skillet.

You can substitute synthetic "sticky wax" or "microcrystalline wax" for beeswax, if you prefer. It is best to use a mixture of beeswax (or its substitutes) and paraffin, because parafin alone crackles too much, while beeswax alone doesn't crackle at all. (If you don't like the crackle effect, use pure beeswax, or its substitutes, without paraffin.)

Each of your tools needs a ridge on it to prevent it from sliding down into the scalding hot melted wax. If they do not already have a ridge of some sort, you can make one by wrapping many layers of tape at just one place on the handle of the tool.

Tjantings for drawing with melted wax are available from PRO Chemical & Dye, Dharma Trading, and other dye suppliers. (See the Sources for Dyeing Supplies page for contact information.)

Instructions

Draw with melted wax wherever you want the fabric to remain a lighter color. If the wax does not seem to penetrate the fabric, it is probably not hot enough; check the temperature. Use an electric skillet to maintain the wax at the correct temperature. (Beware of dangerous overheating; wax can burn, causing a dangerous house fire, or just smoke that can cause lung damage.) It's best if your design can tolerate a few random light spots from accidental drips of wax. Hold a rag in your other hand, ready to catch unwanted drips before they fall.

I usually stretch the garment over a cookie sheet or other baking implement, depending on the size of the garment; this prevents the wax from getting through to the other side of the garment, and makes it easier to control the fabric, as well. I have used a wooden stretcher bar frame, such as is used for mounting canvases for paintings, attaching a silk garment by means of wire clips strung on rubber bands that wrapped around the frame--it's certainly a lot more trouble that way, but the tension is sometimes useful for painting woven silks. I like to use a pencil to mark out my design on the cloth beforehand.

Apply dye when the wax is cool. (If you're in a hurry, refrigerate.) You can wait for days or even weeks after waxing to proceed to dyeing, if you prefer. Crumple the fabric if you want a lot of veining, then pre-soak in sodium carbonate and apply dye as described in How to Dye. Wash the excess dye out, after the full "batching" time of 2 to 24 hours has passed, using cold water only. You don't need melted wax in your washer. Obviously, you must not let anything waxy get into your hot air dryer.

Repeat? For traditonal, multiple-step batik, air-dry, and repeat the waxing and dyeing steps as desired, starting with the lightest colors and progressing toward the darker ones, first spending some time to plot the appropriate order for the colors and how each color will mix with the previous ones. For modern "faux" batik, a single round, involving direct application of different fiber reactive dye colors where they are wanted, is sufficient.

Removing the wax can be the hardest part.

Alternatives to boiling:

Batiking without wax

You may occasionally read of batiking with alternative resists. Beware of water-soluble resists; I found the hard way that Deka's Silk Resist, for example, washes right out during the sodium carbonate pre-soak step of dyeing. If you use a washable resist, not only will you lack the interesting cracks and veins, but you will also need to find an alternative to the use of the washing soda pre-soak, such as applying sodium carbonate solution or Dharma's After-Fix afterwards, or drying the fabric after pre-soaking in soda ash, before applying the resist. This also requires a much more frugal hand with the dye solutions than I am accustomed to applying, as large excesses of dye solution will also wash away any water-soluble resist. Alternative resists can be extremely valuable, resulting in wonderful results - but these results will never be very close approximations of true wax batik.

Next: Low water immersion dyeing....


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Overview Fiber Reactive Dyes Direct Dyes All-Purpose Dyes Acid Dyes      Food Coloring      Lanaset Dye      Acid Levelling (Kiton) Natural Dyes Vat Dyes Disperse Dyes Basic Dyes Naphthol Dyes Fabric Paints
Index How to Dye with
    Fiber Reactive Dye
How to Tie Dye How to Batik Low Water
    Immersion
Dip Dyeing Washing Machine
    Dyeing
How to Tie Dye
    with Kool-Aid®
How to Tie Dye with
     All Purpose Dye
How to Dye and
    Paint Fabric
    with Light
Index Batik Mandalas &
    Peace Signs
Watercolor Rainbow
    Drip-dyes
Fabric Painting
  and Printing
Fabric Markers Tie Dyeing Sprinkle dyeing Spray Dyeing LWI dyeing
The Dye Forum Book Reviews Find A Custom Dyer Blog of Questions
     & Answers
Search Contact me Link here About This Site
Where to Buy
    Dye & Supplies
Mailing Lists Other Galleries Other Informative
    Sites
Additional Links
Index General Dye
    Questions
Fixing Dye Synthetic Fibers Color Choice Dye Auxiliaries Safety Procion Dyes Acid Dyes Problems Tying Miscellaneous
Procion MX Dyes Jacquard Acid Dyes Other Dyeing
    Supplies
Fabric Paints, Dyes,
    Books, and DVDs


Page created: July 17, 1999
Last updated: January 2006
Downloaded: Friday, May 09, 2008