Country or region: France
Thank you for your website and all the information that it provides. You are offering the world with a wonderful service. If you wouldn’t mind, I would love to have your opinion on a few inquiries.
The Artist’s Complete Health and Safety Guide
Dozens of at-a-glance tables and charts present vital information about art materials, ingredients, technical hazards, proper protective equipment, and safe work practices simply and accurately.
My mother has her brand of silk clothing that she has always dyed herself, and ever since childhood my family has been exposed to various types of fumes, including those from dyes (mostly acid dyes from the polish brand Kakadu, if this rings any bells ) but also fumes from steaming screen-printed silk, which always produces an awful smell and always felt to me like this could not be a good thing to be breathing near. So I guess my question is, what could be the risk of exposure to such fumes ? Is there any literature and studies that may enlighten me on the matter? I personally am experiencing a tightness in the chest area since spending a few months with my mother, and it raised my concerns regarding my health as well as my mother’s and her employees.
It’s difficult to talk about the risks of fume exposure without knowing what kinds of dyes and other chemicals have been used. I can’t find any information on the Kakadu brand of textile dyes. It would be helpful if you can request MSDS (Materials Safety Data Sheet) information from the seller for each of these dyes, but even that will tell us nothing about what dyes and other chemicals may have been contained in older, now discontinued, formulations of the same brand of dyes. (See, for instance, the question “Did Sennelier Tinfix Silk Dyes cause my wife’s hyperthyroidism?“, in my old dye Q&A blog, for a case in which it was impossible to find MSDS information for a discontinued dye formula.)
The tightness in your chest might be due to asthma caused by an allergy to the dyes. Asthma is a known occupational hazard for workers in the textile dye industry. This is normally an issue only with powdered dyes, as dyes are less likely to get into the air while they are dissolved in water. Experience with my relatives with Chronic Obstructive Pulmonary Disease (though they did not work with dyes) makes me worry about actual lung damage from exposure to unsafe chemicals, though I don’t know of any particular relationship between COPD and the sort of exposures you report. I would encourage anyone suffering from tightness in the chest to see a doctor. A spirometer can be used to test your lung function.
Once a person has a demonstrated allergy to a particular type of dye, that person should stop using that type of dye at all, and switch to other types of dye. For example, one well-known quilt artist developed an allergy to Procion MX dyes and had to switch to the very similar Cibacron F dyes (now known as Novacron F dyes). Continued exposure to a substance to which one is badly allergic can result in a serious case of asthma.
Do you, yourself, take particular precautions when exposed to fumes, whether it is by adding ventilators, air purifiers, plants to your environment or special diet or supplements to keep you from storing toxic compounds in your soft tissues ?
I remember reading an article a few years back about the use of algae and chlorophyle in general as well as the use of glutathione supplements to protect workers from air born toxins in the denim industry, but I can’t seem to find anything on the subject as I am looking today.
As a rule, I don’t believe in nutritional supplements to counter toxic exposures. There have been many, many cases in which useless substances are promoted for this purpose solely for the enrichment of the those selling them. The supplements I have seen being promoted for this purpose are generally nothing more than useless scams. Neither algae nor chlorophyll is likely to have any beneficial effect. Glutathione, if given in time, is an effective antidote for overdoses of acetaminophen (whose other generic name is paracetamol), and has other medical uses, but again I would not rely on it to counter unspecified toxins. [Correction: N-acetyl cysteine is the antidote to acetaminophen/paracetamol poisoning, used for its ability to increase the body’s levels of glutathione. Glutathione itself is subject to breakdown in the process of digestion.] In general, dietary intake of antioxidants in food, particularly in colorful vegetables and fruits, is helpful (for example, there are scientific studies suggesting that eating curry may be good for lung function in COPD, because of the antioxidants found in turmeric), but, again and again, the isolated nutrients have proven useless when given in the form of dietary supplements.
I do take precautions when dyeing, and it is important for all dyers to do similarly. The first step is to avoid breathing the dust generated by handling dye powders. This is the most common hazard in handling dyes, as even non-toxic dyes, like many other powders, are capable of producing severe allergies and asthma if repeatedly inhaled. A dust mask is usually sufficient, but only if it fits so well that no air comes in around the sides of the mask. All air that is breathed must come directly through the filter material of the mask in order for it to provide protection.
Of course it is unwise to eat any dye that has not been cleared as being safe for human consumption. This means that hands must be protected with waterproof gloves, and washed before eating or smoking. This sounds obvious, but I have many times seen artists eat a sandwich or smoke a cigarette with unwashed hands covered in oil paints whose pigments were known to be very toxic, such as cadmium red and chrome orange! While most of the dyes we use are unable to penetrate a waterproof glove without any holes, and in most cases of glove punctures stay in the outer layers of skin rather than penetrating inside the body, sometimes basic dyes (also known as cationic dyes) have been used like acid dyes, or even sold as one or two of the colors in a line of acid dyes. Basic dyes are, in general, more dangerous than acid dyes or fiber reactive dyes, because, unlike these other dye classes, basic dyes have a positive electric charge that encourages them to cling to and penetrate skin.
When handling small quantities of objectionable solvents, such as the alcohol used to dilute some silk paints, a dust mask is of no use at all. Make sure to have good ventilation. A good way to improve ventilation in your work area is to use electric fans in two windows, one on each side of the work area, with one fan pushing air outside through one window, while the other fan sucks air inside through the other window. Cross ventilation is much more effective than a single open window.
Larger quantities of dangerous solvents require more precautions, not instead of, but in addition to, having excellent flow-through ventilation. It is important that the amount of a solvent or other chemical in the air be no greater than the safe vapor concentration for that chemical, which you may be able to find in the MSDS safety information for that substance. Any significant exposure to chlorine bleach, for example, calls for a well-fitting respirator (not merely a dust mask) with an acid gas cartridge. Different toxic substances require different kinds of cartridges. Some solvents, such as alcohol in fabric paints, or the volatile solvents used to dissolve gutta in resists in silk painting or for dry-cleaning, cannot be adequately screened out by a respirator.
I myself purchased an extra stove burner specifically for use out-of-doors when dyeing polyester, because the carrier chemicals used with polyester dyes are unhealthy to breathe (and smell horrible). Boiling these chemicals indoors would have permeated the entire living area; it’s impractical to outfit everyone in the house with a proper respirator, and unpleasant to wear one for more than a few minutes anyway. When working in a lab, I would use a fume hood to work with similarly noxious chemicals.
Also, do you have the knowledge of any association that could provide specific guidelines for the work place environment and safety when it comes to silk dying and screen-printing ? My wish is to really do all that is in my power to protect those around me and offer a pleasant work environment.
PRO Chemical & Dye’s Studio Safety Guidelines are good, though brief.
Although it is not a new book, I very much liked the information on setting up a safe dye studio in Deborah M. Dryden’s book, Fabric Painting and Dyeing for the Theatre. Probably the best book for me to recommend to you would be Monona Rossol’s 2001 book, The Artist’s Complete Health and Safety Guide. Both of these books identify specific hazardous dyes that should be avoided altogether, since there are safer alternatives. Most of the dyes in question are direct dyes, while a few are acid dyes; none are fiber reactive dyes.
Dye sellers who mix different dyes together to make different colors will probably not reveal which specific dyes are in a given dye color, as this is a trade secret, but they should provide information for all of the dyes that they use in their mixtures in any particular line of dyes. Any company that sells dyes should provide MSDS information so that you will know whether to be more concerned about the safety of their dyes.
Dyes based on benzidine, o-toluidine, or o-dianisidine are dangerous, because, after being absorbed by the body, they can be metabolized back to the carcinogenic chemical they were made from. Benzidine is the compound of greatest concern. In order to know for certain whether any of your dyes present this hazard, you have to have the MSDS page for each dye. With some types of dyes, it is not difficult to get this information, so you can feel safe from these chemicals. With dyes whose manufacturers do not identify the dye chemicals or make MSDS information available, there is no way to tell. Until the early 1980s, these dyes were in common use, without warning labels. The dyes are listed Rossol’s book and in a US Government publication from 1980, “Health Hazard Alert–Benzidine-, o-Tolidine-, and o-Dianisidine- Based Dyes“, which can be found in the Internet Archive.
The main hazard from serious exposures to benzidine, o-toluidine, or o-dianisidine is an increase in the risk of bladder cancer. Once someone has been exposed to these chemicals, the most important single precaution to take is to avoid tobacco smoke, since previous exposure to chemicals that cause bladder cancer increases sensitivity to future exposures, and tobacco smoke is a major cause of bladder cancer.
A paper on the University of Illinois at Chicago website, Silk Screen Printing, written by Ronald Fuchs and Michael McCann about the dangers of silk screen printing, focuses on the hazards of solvents for fabric printing inks, such as toluene, and advocates the use of water-based inks, instead. The screen-printing inks, which are based on pigments rather than dyes, are different from dyes used for printing silk fabrics, as the dyes used on silk are water-based.
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